El Delfín de Música

Marta Almajano, Soprano

Juan Carlos Rivera, Vihuela

Luys de Narváez "Los seis libros del Delphin"   The six books of the Dolphin of music in ciphers for playing the Vihuela. By Luys de Narbaez. Dedicated to the most Illustrious Lord, Don Francisco de los Cobos, Comendador Mayor of León, Adelantado of his Imperial Majesty, and this first book deals with the eight modes for playing on diverse parts of the Vihuela. MDXXXVIII. With Imperial Privilege for Castile & Aragon & Valencia & Catalonia for ten years.   Under this title the Granadine vihuelist Luis de Narváez published his book of vihuela mu...+ info

Poder á Santa María

Sinfonye

Conductor: Stevie Wishart

THE MUSIC AND PERFORMANCE OF THE CANTIGAS The melodies of Alfonso's Cantigas tend to be more predictable and forward moving in comparison to the cansos of the Troubadours. They are more reminiscent of the provençal dansas with easily memorable, short-ranging phrases which suggest strong metrical feels even short though the rhythm is often ambiguously notated in the Cantigas manuscripts. The musical form of the Cantigas a is remarkably consistent, usually with the second half of the stanza sharing the same melody as the refrain, as in the French virelai. In contrast to this lengthy m...+ info

La Muwassaha

Al Turath Ensemble

THE ANDALUSI WASLAH OF ALEPPO, SYRIA   WASLAH Awaslah is the performance of up to eight muwashshahát (plural of muwashshaha) in succession together with an instrumental introduction. Common to all sections of such a waslah cycle is the principle maqám row, whereby the combination of pieces can comprises the works of several poets and composers. The muwashshah composition played at the beginning of a cycle may have a longer longer wazn than the muwashsahát that follow. A total of 22 waslát (plural of waslah) are known in Aleppo, each of them named according...+ info