• Yo que soy contrabandista

    Manuel García

    Ernesto Palacios


    THE SONGS OF MANUEL GARCIA Manuel del Pópulo Vicente García can only be considered a legend in his own time. A nineteenth century legend in the widest sense of the word. A century and a half ago, the stars of the Italian bel canto (both composers and singers), the German symphonic and Polish and Bohemian piano schools were highly revered and it was in Paris that they consummated their international acclaim. However in the Paris of the 1830's, Spanish music was also revered, and, in general, all that originated in Spain's period of fiery Romanticism. Paris was also where the Sev...+ info

  • Don Chisciotte. Ópera en Dos Actos

    Manuel García

    Orquesta de Cámara Galega

    Conductor: Juan de Udaeta


    Manuel García    The tenor, composer, impresario and singing teacher Manuel del Pópulo Vicente García (Seville, 21-I-1775; Paris, 10-VI-1832), was one of the most important figures in nineteenth-century Spanish music. The father of Pauline Viardot-García, María Felicia, the legendary Malibrán, and of Manuel Patricio García, and the inventor of the laryngoscope, he was one of the great personalities in European operatic life of the nineteenth century. Both Rossini’s and Mozart’s favourite performer, he was one of the fathe...+ info

  • Rollos de Pianola

    Obras de Albéniz, Granados, Turina, Ocón, Chapí, Alonso y otros


    PIANOLA: PORTRAIT OF A MUSICAL WONDER   Its ancestors For centuries; the ability to enjoy music without the effort of learning the associated necessary techniques has been a chief motivation for many inventors, inspiring them to create different forms of music mechanization. The treatise La Tonotechnie ou l'art de noter les cylinders, written in 1775 by the Augustinian monk Domingo Engranelle, shows evidence of this motivation. His work served as a theoretical fundament for several subsequent inventions, including the mechanical instruments that preceded the pianola. Several of t...+ info



Nuevo Disco: OBRAS PARA VIOLONCELLO Y PIANO. TRÍOS 1 Y 2. MANUEL CASTILLO




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Almaviva

Almaviva aims to highlight the work
of such illustrious Andalusians as Manuel de Falla and Joaquín Turina.

Edited
Junta de Andalucía. Consejería de Cultura
Coordinated
Centro de Documentación Musical de Andalucía
Produced
Agencia Andaluza de Instituciones Culturales


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