Orquesta de Cámara Galega
Conductor: Juan de Udaeta
AGOTADO - SOLD OUT Manuel García The tenor, composer, impresario and singing teacher Manuel del Pópulo Vicente García (Seville, 21-I-1775; Paris, 10-VI-1832), was one of the most important figures in nineteenth-century Spanish music. The father of Pauline Viardot-García, María Felicia, the legendary Malibrán, and of Manuel Patricio García, and the inventor of the laryngoscope, he was one of the great personalities in European operatic life of the nineteenth century. Both Rossini’s and Mozart’s favourite perfor...+ info
PIANOLA: PORTRAIT OF A MUSICAL WONDER Its ancestors For centuries; the ability to enjoy music without the effort of learning the associated necessary techniques has been a chief motivation for many inventors, inspiring them to create different forms of music mechanization. The treatise La Tonotechnie ou l'art de noter les cylinders, written in 1775 by the Augustinian monk Domingo Engranelle, shows evidence of this motivation. His work served as a theoretical fundament for several subsequent inventions, including the mechanical instruments that preceded the pianola. Several of t...+ info
José E. Ayarra, órgano
Tomás Marco, a great connoisseur of Manuel Castillo’s oeuvre and personality, has defined this Sevillian master as “the Spanish composer of his generation who has served the organ world the most frequently and with the highest quality” (Manuel Castillo, Transvanguardia y Postmodernidad. Málaga 2003: 74). Marco remarks that between a generation of illustrious musicians such as Cristóbal Halffter, Luis de Pablo, Carmelo Bernaola, Antón García Abril and Tomás Marco himself, “it is absolutely certain” that nobody has written o...+ info
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