PIANOLA: PORTRAIT OF A MUSICAL WONDER Its ancestors For centuries; the ability to enjoy music without the effort of learning the associated necessary techniques has been a chief motivation for many inventors, inspiring them to create different forms of music mechanization. The treatise La Tonotechnie ou l'art de noter les cylinders, written in 1775 by the Augustinian monk Domingo Engranelle, shows evidence of this motivation. His work served as a theoretical fundament for several subsequent inventions, including the mechanical instruments that preceded the pianola. Several of t...+ info
Javier Perianes
By the beginning of the 20th century, the Swedish music world had matured significantly, as can be seen from the work of composers like Natanel Berg, Oscar Lindberg, Kurt Altteberg and another, whose name had a somewhat exotic sound in a country like Sweden: Olallo Morales. Olallo Juan Magnus Morales Wilksman (1874-1957), to give him his full name, was the son of diplomat, astronomer and meteorologist Olallo Morales Lupión (1852-1889) and his Swedish wife, Zelma, who was an accomplished pianist. The Morales-Wilksman marriage also produced other musicians: Zelmica who was a ...+ info
Cristina Montes Mateo
THE WORKSHOP FOR WOMEN COMPOSERS The Workshop for Women Composers is an initiative of the Department of Culture and Sport, in collaboration with the Composer’s Foundation of the Sociedad General de Autores y Editores, the main collecting society for songwriters, composers and music publishers in Spain, the University of Cádiz and the Center for Musical Documentation in Adalusia (Centro de Documentación Musical de Andalucía). Ever since it was first held in 2005 it has become a meeting point, a time for reflection and creation for Spanish women composers. There are s...+ info
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