Javier Perianes
By the beginning of the 20th century, the Swedish music world had matured significantly, as can be seen from the work of composers like Natanel Berg, Oscar Lindberg, Kurt Altteberg and another, whose name had a somewhat exotic sound in a country like Sweden: Olallo Morales. Olallo Juan Magnus Morales Wilksman (1874-1957), to give him his full name, was the son of diplomat, astronomer and meteorologist Olallo Morales Lupión (1852-1889) and his Swedish wife, Zelma, who was an accomplished pianist. The Morales-Wilksman marriage also produced other musicians: Zelmica who was a ...+ info
Ana Guijarro
MANUEL CASTILLO He was born in Sevilla in 1930. He was a student to A. Pantión and N. Almandoz, to A. Lucas Moreno y Conrado dei Campo in Madrid; to Lazare Levy and Nadia Boulanger in Paris. From 1995 he has worked as Professor of Piano and later on of Composition in the Conservatory "Manuel Castillo" of Sevilla, of which he was the headmaster from 1964 to 1978. Among the Prizes he has been awarded the most outstanding ones are the following: "Joaquín Turina", "Nacional de Música" 1959; "Manuel de Falla" (1975) and other granted for his choral works. In 1976 he was giv...+ info
Orquesta Ciudad de Granada
MUSICAL `ALHAMBRISMO' IN NINETEENTH-CENTURY SPAIN More than a fully-developed style entity, Alhambrismo in nineteenth-century music was a fashion, a type of "sound" which can be linked with a tendency towards the picturesque and the recreation of the mood of Spanish music of the first half of the nineteenth century. The Picturesque had opened its doors on two trends in European orchestral music: northern idealism asseen in Fingal's cave by Mendelssohn, and the Orientalism of The Desert by David, which was followed later in works by Massenet and Saint-Saëns. Historically, Spain was co...+ info
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