Andalucía en la Música Judeo-Española

Alia Musica

Conductor: Miguel Sánchez

ANDALUCÍA EN LA MÚSICA JUDEOESPAÑOLA   En su acepción estricta, el término sefardí se aplica para designar a los judíos oriundos de España, es decir, los descendientes de los expulsados a finales del siglo XV que han conservado a lo largo del tiempo rasgos culturales hispánicos. En el reducido ámbito del hogar familiar o en las reuniones y celebraciones festivas, sociales y religiosas, ha ido tomando cuerpo, después de la expulsión y fuera de la Península, el repertorio que hoy conocemos como m&u...+ info

Rollos de Pianola

PIANOLA: PORTRAIT OF A MUSICAL WONDER   Its ancestors For centuries; the ability to enjoy music without the effort of learning the associated necessary techniques has been a chief motivation for many inventors, inspiring them to create different forms of music mechanization. The treatise La Tonotechnie ou l'art de noter les cylinders, written in 1775 by the Augustinian monk Domingo Engranelle, shows evidence of this motivation. His work served as a theoretical fundament for several subsequent inventions, including the mechanical instruments that preceded the pianola. Several of t...+ info

Compositores Andaluces Actuales en el Festival de Granada

Manuel CASTILLO:   Concerto for piano and orchestra n. 3 Born in Seville in 1930, Manuel Castillo is one of the most widely-respected composers of the current “generation of maestros”. An excellent pianist, organist and teacher, he is an institution in the musical and cultural world of his home city, and his career and works have made him one of the most representative figures among the Andalusian composers in recent times. Manuel Castillo’s music has been included on several occasions in the programmes of the Festival of Granada, notably the recent world premiere o...+ info