Poder á Santa María

Sinfonye

Conductor: Stevie Wishart

THE MUSIC AND PERFORMANCE OF THE CANTIGAS The melodies of Alfonso's Cantigas tend to be more predictable and forward moving in comparison to the cansos of the Troubadours. They are more reminiscent of the provençal dansas with easily memorable, short-ranging phrases which suggest strong metrical feels even short though the rhythm is often ambiguously notated in the Cantigas manuscripts. The musical form of the Cantigas a is remarkably consistent, usually with the second half of the stanza sharing the same melody as the refrain, as in the French virelai. In contrast to this lengthy m...+ info

Olallo Morales (1874-1957)

Javier Perianes

By the beginning of the 20th century, the Swedish music world had matured ­significantly, as can be seen from the work of composers like Natanel Berg, Oscar Lindberg, Kurt Altteberg and another, whose name had a somewhat exotic sound in a country like Sweden: Olallo Morales. Olallo Juan Magnus Morales Wilksman (1874-1957), to give him his full name, was the son of diplomat, astronomer and ­meteorologist Olallo Morales Lupión (1852-1889) and his Swedish wife, Zelma, who was an accomplished pianist. The Morales-Wilksman marriage also produced other musicians: Zelmica who was a ...+ info

Don Chisciotte. Ópera en Dos Actos

Orquesta de Cámara Galega

Conductor: Juan de Udaeta

AGOTADO - SOLD OUT   Manuel García    The tenor, composer, impresario and singing teacher Manuel del Pópulo Vicente García (Seville, 21-I-1775; Paris, 10-VI-1832), was one of the most important figures in nineteenth-century Spanish music. The father of Pauline Viardot-García, María Felicia, the legendary Malibrán, and of Manuel Patricio García, and the inventor of the laryngoscope, he was one of the great personalities in European operatic life of the nineteenth century. Both Rossini’s and Mozart’s favourite perfor...+ info