En la Alhambra

Orquesta Ciudad de Granada

MUSICAL `ALHAMBRISMO' IN NINETEENTH-CENTURY SPAIN More than a fully-developed style entity, Alhambrismo in nineteenth-century music was a fashion, a type of "sound" which can be linked with a tendency towards the picturesque and the recreation of the mood of Spanish music of the first half of the nineteenth century. The Picturesque had opened its doors on two trends in European orchestral music: northern idealism asseen in Fingal's cave by Mendelssohn, and the Orientalism of The Desert by David, which was followed later in works by Massenet and Saint-Saëns. Historically, Spain was co...+ info

José Muñoz Molleda

Orquesta de Córdoba

Conductor: José Luis Temes

JOSÉ MUÑOZ MOLLEDA: WORKS FOR ORCHESTRA In strictly chronological terms, José Muñoz Molleda must be considered a member of the so-called Generation of 27 (also the Silver Generation or the Generation of the Republic), because he borra in the sarne year (1905) as for example Ernesto Halffter, Emilio Lehmberg and Jesús Bal y Gay. Then, he was a year older than Gustavo Pittaluga and Simón Tapia-Colman (1906) and a little younger than Jesús García Leoz (1904), Evaristo Fernández Blanco and Rosa García Ascot (1902), Arturo D&...+ info

Agenda Defunctorum

Capilla Peñaflorida

Conductor: Josep Cabré

THE COMPOSER Juan Vásquez was born in Badajoz around 1510. His first association with music was recorded in 1530 when he gained admission as a chorister at Badajoz Cathedral, where five years later he served as the succentor. Evidence of his musical prowess is that he was engaged as the music master to teach the choirboys in the same year that he was admitted as a chorister. In 1533 he was taken on as the singing instructor to teach not only the choirboys but also the prebendaries. In keeping with the mobility that characterised professional Spanish musicians throughout the Old Regime...+ info