Missa Mille Regretz

The Hilliard Ensemble

The "Mille Regretz" Mass by Morales   There are three printed sources of this Mass. The oldest is dated 1544 and comes from Rome; the second, printed in 1545, from Lyon and finally, that of 1568 is from Wittenberg. There is also a manuscript of the work in the Sistine Chapel in Rome which appears to coincide with the Wittenberg edition. Here, the "Mille Regretz" mass is attributed to the composer Thomas Crecquillon. In Spain there are five ancient copies of this Mass. They can be found in Barcelona (Cataluña and Orfeón Catalán Libraries), Madrid (Medinaceli Libra...+ info

Romanzas de Dúos y Zarzuelas

Orquesta Filarmónica de Málaga

Conductor: Juan de Udaeta

The composer Francisco Alonso, who in his time was known as ‘maestro Alonso’, belongs to the second generation of twentieth century Spanish composers of theatre music. This group of composers, better known as the ‘Generation of the Masters’, includes such eminent figures as José María Usandizaga, José Padilla, Juan Vert, Reveriano Soutullo, Federico Moreno Torroba, Jacinto Guerrero, Pablo Sorozábal, Conrado del Campo and Jesús Guridi, amongst others. They each left a large amount of theatre music, resulting in one of the most productiv...+ info

Poder á Santa María

Sinfonye

Conductor: Stevie Wishart

THE MUSIC AND PERFORMANCE OF THE CANTIGAS The melodies of Alfonso's Cantigas tend to be more predictable and forward moving in comparison to the cansos of the Troubadours. They are more reminiscent of the provençal dansas with easily memorable, short-ranging phrases which suggest strong metrical feels even short though the rhythm is often ambiguously notated in the Cantigas manuscripts. The musical form of the Cantigas a is remarkably consistent, usually with the second half of the stanza sharing the same melody as the refrain, as in the French virelai. In contrast to this lengthy m...+ info