José Muñoz Molleda

Orquesta de Córdoba

Conductor: José Luis Temes

JOSÉ MUÑOZ MOLLEDA: WORKS FOR ORCHESTRA In strictly chronological terms, José Muñoz Molleda must be considered a member of the so-called Generation of 27 (also the Silver Generation or the Generation of the Republic), because he borra in the sarne year (1905) as for example Ernesto Halffter, Emilio Lehmberg and Jesús Bal y Gay. Then, he was a year older than Gustavo Pittaluga and Simón Tapia-Colman (1906) and a little younger than Jesús García Leoz (1904), Evaristo Fernández Blanco and Rosa García Ascot (1902), Arturo D&...+ info

Obras para Violoncello y Piano. Tríos 1 & 2

Oscar Martín, Piano, Trino Zurita, Violoncello, Miguel Romero, Violín

Manuel castillo Navarro-Aguilera was born in Sevilla in 1930. He displayed musical talent at an early age both as a pianist and as a composer. He studied in Sevilla with Norberto Almandoz (Chapel Master at the Cathedral) and in Madrid with A. Lucas Moreno (piano) and Conrado del Campo (composition). He was awarded the Joaquin Turina Prize when he was only 19, and at 21 he debuted as a pianist with the Bética Chamber Orchestra. He continued his studies in Paris with Lazare Levy (piano) and Nadia Boulanger (composition) and, after his return to Spain, he got a professorship at the Seville...+ info

De los álamos de Sevilla

Juan Carlos Rivera, Vihuela

TEMPORARILY SOLD OUT INSTRUMENTAL TRADITION IN SPAIN IN THE SIXTEENTH CENTURY Our knowledge of instrumental music in Spain or in Western Europe before the end of s. XV is very low for the simple reason that it is difficult for that type of music that we have arrived. All of that time there are some keyboard tabs Germany, England or Italy, but no music for other instruments. There to do a very simple explanation: that music was not written normally, or at least, if you used some kind of notation, this was basic, with mnemonics for, had written on slips of paper that have not withstood the ove...+ info