Obra para Órgano - Manuel Castillo (1930-2005)

José E. Ayarra, órgano

Tomás Marco, a great connoisseur of Manuel Castillo’s oeuvre and personality, has defined this Sevillian master as “the Spanish composer of his generation who has served the organ world the most frequently and with the highest quality” (Manuel Castillo, Transvanguardia y Postmodernidad. Málaga 2003: 74). Marco remarks that between a generation of illustrious musicians such as Cristóbal Halffter, Luis de Pablo, Carmelo Bernaola, Antón García Abril and Tomás Marco himself, “it is absolutely certain” that nobody has written o...+ info

Maestros Andaluces en Nueva España

Cappella Mediterranea

Music and Andalusian musicians in New Spain   The musical links between New Spain and Andalusia have existed since the earliest days of the discovery and the conquest. Surely that "maese Pedro, he of the harp ", mentioned by Bernal Diaz del Castillo upon arriving on American soil with Hernán Cortés’ troops, was a member of the first group of Andalusians who came to settle in the newly-conquered America. But the passing of time, particularly after the foundation of new cities and the construction of their cathedrals, brought closer the links with the music of Andalusi...+ info

La Música de Al-Andalus

Ensemble Al-Ruzafa

Conductor: Hames Bitar

Aleppo: custody of the musical tradition from the Orient.   Aleppo is an important trading city and communication cross-point where the most pure traditions of Arabic chant have been preserved. The most characteristic expression of this chant is the vocal improvisations or layali, through which the complete doctrine of maqam was developed into a form of choral music, the qad (alqudud in plural), related to the muaxaha genre, very well-known in Al-Andalus.   From the eighteenth century onwards, the muaxaha expanded through the Mid-Orient, particularly in Aleppo, where it is known ...+ info